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Dino Residbegovic born 1975 in Sarajevo (Bosnia and Herzegovina),〔(【引用サイトリンク】url=http://dinoresidbegovic.musicaneo.com/about.html )〕 is a modern classical composer Dino Residbegovic was born in Sarajevo (Bosnia and Herzegovina) in 1975 and received his musical training on piano at the elementary and secondary music school there. After moving to Vienna in 1994, he studied composition (gradual and master programme), at the Universitat für Musik und Darstellende Kunst and at the Konservatorium Wien (Privat Univarsitat der Stadt Wien), with professors Heinz Karl Gruber, Wolfgang Liebhart and dr. Rainer Bischof and graduated with the best score. He studied piano with prof. Kim Oak Hyun at Konservatorium Wien and also graduated in 2003. He continued postgraduate (post master) study of composition at the Universitat für Musik und Darstellende Kunst with prof. Detlev Müller-Siemens and graduated with the best score in 2005. At the same institution, he also studied contucting with prof. Uros Lajovic.〔 He won many awards at composition competitions such as: two times Alban Berg prize, two times Siemens AG Österreich prize, first prize at Theodor Körner Preis. Since 2006 he worked as the assistant professor and since 2012 he works as the associate professor at the Music Academy in Sarajevo 〔http://mas.unsa.ba/index.php?option=com_content&view=article&id=71&Itemid=74〕(University of Sarajevo), Department of the composition. He is a permanent member of the Austrian Association of Composers (OKB).〔http://www.komponistenbund.at/residbegovic-dino〕 He studies doctorate in composition at Sarajevo Academy of Music with dr. Igor Karaca (Oklahoma state University, USA). Residbegovic is currently mostly focused on electronic music and works with synthesizers such as equal instruments in contemporary classical music, through developing his compositional style to composition of sounds inside his own RMC (reductional music complexity) theory. He is also active in composition and performance pedagogy of his music, with developing of new movements in music education programmes, with assistance of his team of internationally active musicians such as Omer Blentic ,〔https://www.youtube.com/watch?v=cm2D7eUICVw&hd=1〕 Dragan Opancic,〔https://www.youtube.com/watch?v=nApeaqFWBCc&hd=1〕 Ivan Saric,〔https://www.youtube.com/watch?v=0_X_pmYs_Pk&hd=1〕 Hanan Hadzajlic,〔https://www.youtube.com/watch?v=tUGkZaTQQ2Y&hd=1〕 Davor Maraus 〔https://www.youtube.com/watch?v=sVBoop9BcXs&hd=1〕 and many others. His works were performed by many orchestras/ensembles such as Sarajevo Philharmonic Orchestra, Dusan Skovran String Orchestra, Pons Artis Ensemble, Vienna Art Ensemble, Sonemus,〔http://www.radiosarajevo.ba/novost/52372/deset-godina-sonemus-a〕 Trio Magis 〔http://www.croatianhistory.net/etf/pasion09.html〕 in Italy, Croatia, Slovenia, Serbia, Germany, Japan, Bosnia and Herzegovina, Switzerland,〔http://www.garedunord.ch/index.php?id=690〕 Austria, USA. After his music was awarded with many standing ovations in halls such as Musikverein (Vienna), Carnegie Hall〔http://www.oslobodjenje.ba/kun/bh-umjetnici-prvi-put-nastupaju-u-njujorskom-carnegie-hallu〕 (New York), Sarajevo National Theatre (Sarajevo), performed in several European countries, Switzerland, USA, Japan and awarded at many international composition competitions, he influenced many young composers, performers and musical critics to explore the new context of contemporary music he presented to the audience. Dino Residbegovic is former of new wave of 21st-century music, known as Reductional music complexity, term dating from the 2003, which principally describes Rešidbegović's style through which he initiated new wave in composition and perception of music, based on new order of parameters and their categorization by composer himself. Second description of his style would be "rhythmical music" which came from his categorizations of rhythm, or corpse of the music. Inspired by musicians such as J. Cage, M. Kagel, K. H. Stockausen, H. J. Hespos and his professors dr. Rainer Bischof and Detlev Müller-Siemens, he started to write music without tone pitches and established many compositonal techniques of "reductional complexity". Musical parameters such as rhythm, dynamics, his own expression marks and description, extended innovative techniques of many instruments are fundament of his music, usually written with graphic notation and they are "recipe" for performer who starts to be performer and composer while playing Residbegovics music. Performer is trapped inside of many rules of "pitch improvisation" such as forbidden sequences, repeating of any tonal model, or use of any diatonic model, but also he is free in his musical speech, but influenced by his musical associations, experience, knowledge and own ideas. That "real time composition" inside of the model or form opens new philosophy of music and also sense of being real musician, through one of the most important element in interpretation of his music - performers own tone aesthetic. Residbegovic developed many instrumental techniques, but the most important and innovative in music of the 21st century are definitely his piano techniques and treatment of piano strings and resonator of the instrument such as use of synthesizer in contemporary classical music. In Bosnia and Herzegovina followers of his style are young composers such as Hanan Hadžajlic 〔http://hananhadzajlic.mymusicstream.com/about〕 and Residbegovics students Ivan Dujmovic and Zlatan Bozuta. ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Dino Residbegovic」の詳細全文を読む スポンサード リンク
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